Liquid Rhythm is not available as an AAX plugin, only as RTAS, meaning that Liquid Rhythm is not supported as a plugin in Pro Tools 11 and higher (though the Liquid Rhythm standalone application may be used in conjunction with a Pro Tools session). Liquid Rhythm 1.4.5 is compatible on macOS Catalina, though your usage compatibility may vary depending on the compatibility of your DAW(s), and may require further configuration for full compatibility please write into if you run into any issues. Liquid Rhythm 1.4.5 is not compatible on macOS Big Sur or on the Apple Silicon ARM64 chipset. Liquid Rhythm 1.4.5 VST/AU plugins are, however, still compatible in Live 10 and 11. Liquid Rhythm 1.4.5 is not compatible with Ableton Live 10 Suite or Live 11 Suite as a Max For Live Device (AMXD). However, this version of Liquid Rhythm has not been maintained for compatibility on newer platforms, and depending on your configuration you may run into problems. Liquid Rhythm 1.4.5 as a separate version is offered as a legacy product and/or introductory path into Liquid Music (with upgrade purchase path available). The recording stage is a medium-sized, semi-reverberant room allowing for precise detail, but with enough energy to maintain character and fullness.NOTE TO CUSTOMERS: A newer version of this software, Liquid Rhythm 1.7.0, is included in the Liquid Music Bundle. Transducers included Royers, Ela M, Neumanns and Coles. The signal path features the Neve 88r console, utilising both the onboard pres as well as the Broadhurst Gardens pres for room mics, and the EMI TG console pres for some of the mid room mics. Founded by Mark Knopfler, British Grove is one of the few large-scale studios to have been built this century, and its unique vision to combine state-of-the-art technology alongside original pieces (it owns two original and fully-restored EMI desks as used by Sir George Martin and The Beatles) makes it one of the most sought-after studios in the world. We’ve applied the same no-expense-spared approach to these sessions as any other Spitfire library, this time at one of the most well-stocked and highly-maintained studios on the planet: British Grove. The provision of two reverbs - a tight ‘stage’ sound and a longer more lush ‘hall’ sound - makes blending the Swarms with your existing orchestral libraries a breeze. The individual ensemble shorts also further extend your options, enabling you to add a rhythmic element to your work. From bassoon ‘pops’ to horn ‘flutter tongues’, we’ve taken a wide range of techniques and combined them via the Swarm approach to give you a nuanced, three dimensional sound palette to add to your existing orchestra. The library consists of various string, brass and woodwind ensembles, recorded individually and with the Swarm pointillistic approach, using techniques most idiomatic to those instruments, many of which have never been sampled before. Join the pioneers of modern concert music and scoring to enter a new league of orchestral composition. If you tire of static sounding longs, or have fallen out of love with shorts ostinatos, this new textural approach to orchestral sampling will breathe new life into your arrangements. We then later returned to the studio to capture even more with the orchestra, including short notes and expanded techniques and layers, to create a comprehensive tool for media composers. Hans Zimmer and Radiohead even went on to use it as part of their “ (ocean) bloom” collaboration. We delivered an initial library quickly and in secret for the team at Bleeding Fingers to use exclusively for the show. This opportunity pushed us towards a new territory on a grander scale, combining the Swarm technique with the power of an orchestra. Spitfire knows this approach well - we used this technique in our existing Swarm libraries. A perfect soundtrack to epic, panoramic scenes, as featured in the groundbreaking television show. The effect is a granular 'cloud' of notes - beautiful, long sonic textures created from layers of micro-moments, to be used in place of more traditional long notes. Their concept was to record multiple players performing random short notes of the same pitch. This library is an innovative collaboration with Bleeding Fingers ( Planet Earth II, Sons Of Liberty, Roman Empire: Reign Of Blood), who wanted to create this library to use for the BBC’s flagship series: Blue Planet II.
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